The idea of the sculpture derivew from the role of salt in the preservation of life. In the case of the ruined salt pan, the sculpture takew the form of the basic salt crystal and hovers above the ruins , preserving it through time and frameing it inside the salina landscape. Eacch surface of the salt crystal is formed from the pattern of the salt crystal structure, which then explodes trhough space and time.
In distance , the sculpture participates in the delicate skyline of the salina landscape, emerging as a volume of the history of the salt pans, which allows visibility towards both the ruin and the sculpture. The visibility is increased during the approach when the visitor , the worker, the flaneur or even the creatures of the salina habitat can interact with the sculpture, bringing life inside the space of the salt pan. It now becomes an essantial part of the salina route. The construction indruduces a memory path through the thresholds of the ruined salt pan preserving the movement used to define its own space.